Medieval History
Call for Papers:
?Disney?s Medievalisms?
> From medieval fairs to modern films, the industries of popular culture
continually revisit and reinvent the Middle Ages, entertaining audiences while
generating a profit. And Disney?s--both Walt?s and the
Corporation?s?contribution to this field is virtually unparalleled. From its
many ?medieval? films (Sword in the Stone, Robin Hood, A Kid in King Arthur?s
Court) to its re-creations of fairy-tale romances (Cinderella,
Sleeping Beauty,
Beauty and the Beast, Enchanted), from its architecture of iconic
castles to its
renovation of outmoded identities (princesses, pirates), Disney?s multifaceted
medievalism is America?s most culturally visible monument to the
western Middle
Ages?a monument that, like all of Disney?s products, has been globally
disseminated. However, since Disney?s Middle Ages spans from his pre-Mickey
retellings of fairy tales, through the studio?s early princess films and into
?re-writings? of the company?s own traditions in more recent films, this
monument is itself continually under reconstruction. Our proposed essay
collection ?Disney?s Medievalisms? will tackle this cultural legacy from a
variety of disciplinary backgrounds, including literary, cinematic,
architectural, and sociological. It will address such questions as: How do the
Middle Ages figure in Disney?s essentially American historical narrative? What
do Disney?s turns to medievalism reveal about twentieth- and
twenty-first-century cultural concerns, and why are the Middle Ages a
preferred
setting for modern?s children entertainment? How do the child and the medieval
intersect, and to what end?
Potential contributors should contact Susan Aronstein ([email protected]) and
Tison Pugh ([email protected]) with 200-word abstracts of their proposals by
May 1, 2010. Professor Aronstein is the author of Hollywood Knights: Arthurian
Cinema and the Politics of Nostalgia, and Professor Pugh is the author of
Queering Medieval Genres and the co-editor of two collections addressing
?medieval? cinema: Race, Class, and Gender in ?Medieval? Cinema and
Queer Movie
Medievalisms.
- Pavlinich Reviews: Frozen
Frozen. Dir. Jennifer Lee and Chris Buck. Disney, 2013. Currently in theaters. 108 mins. Reviewed by: Elan Justice Pavlinich ([email protected]) Frozen has been under revision since 1943. Proposed, abandoned, revived, and defunded, for decades...
- Medieval Afterlives In Popular Culture
Medieval Afterlives in Popular Culture, expertly edited by Gail Ashton and Daniel T. Kline, has now been published in Palgrave's The New Middle Ages Series. Drawing from an eclectic mix of scholars from the US, UK, and Australia, Medieval...
- Medievalism In The Postcolonial World, Ed. Davis & Altschul
Medievalisms in the Postcolonial World: The Idea of "the Middle Ages" Outside Europe edited by Kathleen Davis and Nadia Altschul Publisher's description: This fascinating study explores the intersection of postcolonial theory and medievalism. While...
- Queer Movie Medievalism
About to be published with Ashgate: Kathleen Coyne Kennedy and Tison Pugh, eds., Queer Movie Medievalism. Here is the publisher's description: How is history even possible, since it involves recapturing a past already lost? It is through this urge...
- Society For The Public Understanding Of The Middle Ages Call For Papers 2012
Society for the Public Understanding of the Middle Ages Call for Papers 2012 We invite abstracts for the following sessions at the 2012 ICMS and IMC. Abstracts (between 250 and 500 words) should be submitted electronically to [email protected]...
Medieval History
Disney's Medievalisms
Call for Papers:
?Disney?s Medievalisms?
> From medieval fairs to modern films, the industries of popular culture
continually revisit and reinvent the Middle Ages, entertaining audiences while
generating a profit. And Disney?s--both Walt?s and the
Corporation?s?contribution to this field is virtually unparalleled. From its
many ?medieval? films (Sword in the Stone, Robin Hood, A Kid in King Arthur?s
Court) to its re-creations of fairy-tale romances (Cinderella,
Sleeping Beauty,
Beauty and the Beast, Enchanted), from its architecture of iconic
castles to its
renovation of outmoded identities (princesses, pirates), Disney?s multifaceted
medievalism is America?s most culturally visible monument to the
western Middle
Ages?a monument that, like all of Disney?s products, has been globally
disseminated. However, since Disney?s Middle Ages spans from his pre-Mickey
retellings of fairy tales, through the studio?s early princess films and into
?re-writings? of the company?s own traditions in more recent films, this
monument is itself continually under reconstruction. Our proposed essay
collection ?Disney?s Medievalisms? will tackle this cultural legacy from a
variety of disciplinary backgrounds, including literary, cinematic,
architectural, and sociological. It will address such questions as: How do the
Middle Ages figure in Disney?s essentially American historical narrative? What
do Disney?s turns to medievalism reveal about twentieth- and
twenty-first-century cultural concerns, and why are the Middle Ages a
preferred
setting for modern?s children entertainment? How do the child and the medieval
intersect, and to what end?
Potential contributors should contact Susan Aronstein ([email protected]) and
Tison Pugh ([email protected]) with 200-word abstracts of their proposals by
May 1, 2010. Professor Aronstein is the author of Hollywood Knights: Arthurian
Cinema and the Politics of Nostalgia, and Professor Pugh is the author of
Queering Medieval Genres and the co-editor of two collections addressing
?medieval? cinema: Race, Class, and Gender in ?Medieval? Cinema and
Queer Movie
Medievalisms.
- Pavlinich Reviews: Frozen
Frozen. Dir. Jennifer Lee and Chris Buck. Disney, 2013. Currently in theaters. 108 mins. Reviewed by: Elan Justice Pavlinich ([email protected]) Frozen has been under revision since 1943. Proposed, abandoned, revived, and defunded, for decades...
- Medieval Afterlives In Popular Culture
Medieval Afterlives in Popular Culture, expertly edited by Gail Ashton and Daniel T. Kline, has now been published in Palgrave's The New Middle Ages Series. Drawing from an eclectic mix of scholars from the US, UK, and Australia, Medieval...
- Medievalism In The Postcolonial World, Ed. Davis & Altschul
Medievalisms in the Postcolonial World: The Idea of "the Middle Ages" Outside Europe edited by Kathleen Davis and Nadia Altschul Publisher's description: This fascinating study explores the intersection of postcolonial theory and medievalism. While...
- Queer Movie Medievalism
About to be published with Ashgate: Kathleen Coyne Kennedy and Tison Pugh, eds., Queer Movie Medievalism. Here is the publisher's description: How is history even possible, since it involves recapturing a past already lost? It is through this urge...
- Society For The Public Understanding Of The Middle Ages Call For Papers 2012
Society for the Public Understanding of the Middle Ages Call for Papers 2012 We invite abstracts for the following sessions at the 2012 ICMS and IMC. Abstracts (between 250 and 500 words) should be submitted electronically to [email protected]...