Medieval History
Recalling the great European cathedrals of the Middle Ages, Pope Benedict XVI said that the contemplation of art and beauty offers a special way to commune with God.
Today, at his weekly general audience in the Vatican's audience hall, the pope gave a brief lesson in art history, explaining the religious significance of the Romanesque and Gothic styles of the 11th, 12th and 13th centuries in Italy and France.
Pope Benedict's emphasis on the relationship between spirituality and art came as he was preparing to meet November 21 with more than 200 artists from around the world in the Sistine Chapel.
For several weeks the pope has used his general audience talks to illustrate the lives of medieval abbots, saints and others and to offer them as relevant examples for contemporary men and women.
Looking at the cathedrals of the period is important for two reasons, he said. First, the examination of artistic movements of centuries past shows that "the masterpieces are incomprehensible if the religious spirit that inspired them is not taken into account."
And second, he said, the wonder inspired by the cathedrals shows that even today, "beauty is the privileged and fascinating pathway to the mystery of God."
In his catechesis, the pope spoke of the traditional connection between the Christian faith and its expression in art and architecture, explaining how "an extraordinary religious fervor" in 11th-century Europe coincided with greater political stability, population growth, the development of cities and increased wealth.
One of the results, he said, was a great advance in building techniques and the ability of architects to make much bigger churches that offered "salvation and majesty" to the faithful.
Long naves that could hold many people, simple design and thick walls marked the Romanesque style that developed. The churches were just right, the pope said, to display sculptures that had the purpose of educating the faithful and "capable of stirring souls with strong impressions and feelings."
Images of Jesus as a universal judge or of the apocalypse were intended to guide the faithful away from sin and toward virtue, he said.
In the 12th and 13th centuries in northern France, the pope explained, new building techniques allowed architects to build cathedrals that were ever higher and allowed in more light.
"The reach toward greater heights imitated prayer and guided the souls toward God," the pope said, while the large windows filled with stained glass "became great, luminous images that could illustrate the faith" with scenes of the lives of saints, parables or Biblical events.
Medieval cathedrals were places where the whole community participated, bringing together "the humble with the powerful, the illiterate with the doctors," the pope said. "In this common house, all the faithful were educated. ... Gothic sculpture made the cathedral into a Bible of stone," he said.
Pope Benedict called his upcoming meeting with artists "a proposal of friendship between Christian spirituality and art."
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Medieval History
Pope speaks on the inspirational power of medieval cathedrals and art
Recalling the great European cathedrals of the Middle Ages, Pope Benedict XVI said that the contemplation of art and beauty offers a special way to commune with God.
Today, at his weekly general audience in the Vatican's audience hall, the pope gave a brief lesson in art history, explaining the religious significance of the Romanesque and Gothic styles of the 11th, 12th and 13th centuries in Italy and France.
Pope Benedict's emphasis on the relationship between spirituality and art came as he was preparing to meet November 21 with more than 200 artists from around the world in the Sistine Chapel.
For several weeks the pope has used his general audience talks to illustrate the lives of medieval abbots, saints and others and to offer them as relevant examples for contemporary men and women.
Looking at the cathedrals of the period is important for two reasons, he said. First, the examination of artistic movements of centuries past shows that "the masterpieces are incomprehensible if the religious spirit that inspired them is not taken into account."
And second, he said, the wonder inspired by the cathedrals shows that even today, "beauty is the privileged and fascinating pathway to the mystery of God."
In his catechesis, the pope spoke of the traditional connection between the Christian faith and its expression in art and architecture, explaining how "an extraordinary religious fervor" in 11th-century Europe coincided with greater political stability, population growth, the development of cities and increased wealth.
One of the results, he said, was a great advance in building techniques and the ability of architects to make much bigger churches that offered "salvation and majesty" to the faithful.
Long naves that could hold many people, simple design and thick walls marked the Romanesque style that developed. The churches were just right, the pope said, to display sculptures that had the purpose of educating the faithful and "capable of stirring souls with strong impressions and feelings."
Images of Jesus as a universal judge or of the apocalypse were intended to guide the faithful away from sin and toward virtue, he said.
In the 12th and 13th centuries in northern France, the pope explained, new building techniques allowed architects to build cathedrals that were ever higher and allowed in more light.
"The reach toward greater heights imitated prayer and guided the souls toward God," the pope said, while the large windows filled with stained glass "became great, luminous images that could illustrate the faith" with scenes of the lives of saints, parables or Biblical events.
Medieval cathedrals were places where the whole community participated, bringing together "the humble with the powerful, the illiterate with the doctors," the pope said. "In this common house, all the faithful were educated. ... Gothic sculpture made the cathedral into a Bible of stone," he said.
Pope Benedict called his upcoming meeting with artists "a proposal of friendship between Christian spirituality and art."
- Olive Oil And Cathedrals, The Last Pope, And The Cat Picture
A Dash Of Olive Oil May Preserve British Cathedral A report from NPR about using the oleic acid from Olive Oil to preserve York Minster in England Will this be the last Pope? According to a report from Discovery.com, a 12th century prophecy...
- Historian Peter Frankopan Is Challenging A Millennium Of Scholarship In His View Of The First Crusade
For a thousand years the idea of the crusade has defined nations and empires, justified wars and acts of terrorism and inspired everyone from medieval minstrels to Ridley Scott. But is all that potency built on a misunderstanding? New historical research...
- Ross Douthat Thinks Islam Is Evil
The battle of Hattin from a MS by Matthew Paris, 13th c. But it's not. The point, so I take it, of Douthat's recent NY Times editorial is that more "assertive" faiths attract converts, while the "ecumenical" denominations have lost them. (People...
- News Of The Week
Anglo-Saxon treasures will stay in region - vow Same story, different take: MP in plea over ancient treasure Event passed, but only thing I found on it: MEDIAEVAL FIND TO BE TOPIC OF DISCUSSION AT MUSEUM Medieval splendour as Ruins welcomes visitors 'Too...
- Medieval News Of Last Week
THE HEPHTHALITES 14th-century observatory wows scientists Medieval Graves found at Czech building site Anglo-Saxon Church reopens Medieval wall investigation English manuscript unveiled in LA Everyone's Joan Of Arc Lost documents shed light on...