Medieval History
Portrait and Counter-Portrait
"Portrait and Counter-Portrait in Holbein's
The Family of Sir Thomas More" by David R. Smith, published in
The Art Bulletin, Vol. 87, No. 3 (Sep., 2005), pp. 484-506
Smith's main argument:
"The point of the picture's irony is not so much to negate Thomas More's public persona as to render it ambivalent, and in this respect it draws on some of the deepest resources of humanist social and moral as I hope to show."
I believe he argues this idea well, and the article is certainly worth reading if you can get your hands on it. Who doesn't need a little more Holbein in their life?
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The Fake Medieval Images In Canterbury Cathedral
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Book Of Lismore Goes On Display At University College Cork
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Nicholson Reviews Riley-smith, The Crusades, Christianity, And Islam
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Johannes Aquila Pictor And Flóris Rómer
I am currently writing a conference paper on Flóris Rómer, one of the founding fathers of Hungarian art history. Flóris Rómer was born 200 years ago, in 1815, and filled numerous important positions during his illustrious career. He became active...
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Sir John Bolle And His Spanish Lady
The Bolle Monument in Haugh Church, Lincolnshire Haugh church, Lincolnshire On the chancel wall in the tiny Norman church of Haugh in the Lincolnshire Wolds, is an alabaster monument. The monument is not that unusual, it has the typical Elizabethan and...
Medieval History