Portrait and Counter-Portrait
Medieval History

Portrait and Counter-Portrait


"Portrait and Counter-Portrait in Holbein's The Family of Sir Thomas More" by David R. Smith, published in The Art Bulletin, Vol. 87, No. 3 (Sep., 2005), pp. 484-506

Smith's main argument:
"The point of the picture's irony is not so much to negate Thomas More's public persona as to render it ambivalent, and in this respect it draws on some of the deepest resources of humanist social and moral as I hope to show."
I believe he argues this idea well, and the article is certainly worth reading if you can get your hands on it. Who doesn't need a little more Holbein in their life?




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Medieval History








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